When I’m faced with Chapter One,
Page One, I have one main objective in mind besides telling an entertaining romance:
get my characters talking. I “hear” my characters more than I see them,
and I really get to know them by letting them talk. Many times things come out of their mouths
that surprise and delight me and lead me to a richer exploration of their
characters.
How
is that possible? I’m making them up,
right?
The
closest comparison I can make is to improv.
I just…let myself go. My
imagination takes over without any internal editor, without any censor to say
“Is that good? Is it bad? Is it right or wrong?” At that point, I just want to hear what
they have to say. Sounds weird, I know,
but that’s the alchemy of writing for you.
And
it’s not like every line’s a keeper.
That’s when the delete key comes in handy.
So there you have it. The things I think about when I'm starting a book. You may be wondering "Is that all?"
Yep.
But I do at least three complete drafts of the story and usually more (last one was ten), and many more of individual scenes. That's when I add depth and layers to my plot and characters.
But first, I get my people talking.
So there you have it. The things I think about when I'm starting a book. You may be wondering "Is that all?"
Yep.
But I do at least three complete drafts of the story and usually more (last one was ten), and many more of individual scenes. That's when I add depth and layers to my plot and characters.
But first, I get my people talking.
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