I've blogged about the things I think about when I’m
polishing a book, the last stages before submitting to my editor.
My next two blog posts
are going to be about the things I think about when I start a book, beginning
with the very initial stages.
For everyone who wants
to know “where I get my ideas,” I’ll reveal I generally start with a “where and
when” in the simplest terms (London, 1814, for example). Then I imagine a man. A handsome, troubled man. A man who wants something, but not
necessarily a relationship.
Then I think of a
woman who’s basically going to throw this man’s life into an uproar. A woman who may or may not be
“beautiful.” A woman who wants
something, but not necessarily a relationship.
I ask myself a series
of questions, in no particular order.
How, when and why do they meet?
As the story progresses, what promotes the
relationship? What threatens to ruin
it? What else can happen? Some of these events will be tied to the time
period, some won’t.
Who else is
in these people’s lives? Are they friend
or foe, helpers or hinderers or both?
Once the
romance seems to be headed in the right direction, what major event threatens
to destroy it? What saves it?
Then I write a synopsis and hopefully sell the book that I then have to write.
Next blog post: To Outline or Not To Outline?
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